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SLAVES OF THE LAMP.

By Rudyard Kipling,

Author of "The Jungle Book," "The Seven Seas," "Captains Courageous," etc.

I.

THE music-room on the top floor of Number Five was filled with the "Aladdin" company at rehearsal. Dickson Quartus, commonly known as Dick Four, was Aladdin, stage manager, ballet master, half the orchestra, and largely librettist, for the "book" had been rewritten and filled with local allusions. The pantomime was to be given next week, in the downstairs study occupied by Aladdin, Abanazar, and the Emperor of China. The Slave of the Lamp, with the Princess Badroulbadour and the Widow Twankay, owned the little study across the same landing, so that the company could be easily assembled. The floor shook to the stamp-and-go of the ballet, while Aladdin, in pink cotton tights, a blue and tinsel jacket, and a plumed hat, banged alternately on the piano and his banjo. He was the moving spirit of the game, as befitted a senior who had passed his Army Preliminary and hoped to enter Sandhurst next spring.

Aladdin came to his own at last, Abanazar lay poisoned on the floor, and the Widow Twankay danced her dance, and the company decided it would "come all right on the night."

"What about the last song, though?" said the Emperor, a tallish, fair-headed boy with the ghost of a mustache, at which he pulled manfully. "We need a rousing old tune."

"'John Peel'? 'Drink, Puppy, Drink'?" suggested Abanazar, smoothing his baggy lilac pajamas. Abanazar never looked more than one-half awake, but he owned a soft, slow smile which well suited the part of the Wicked Uncle.

"Stale," said Aladdin. "Might as well have 'Grandfather's Clock.' What's that thing you were humming at 'prep' last night, Stalky?"

The Slave of the Lamp, in black tights and doublet, a black silk half-mask on his forehead, whistled lazily where he lay on the top of the piano. It was a catchy music-hall tune.

Dick Four cocked his head critically, and squinted down a large red nose.

"Once more, and I can pick it up," he said, strumming. "Sing the words."

"Arrah, Patsy, mind the baby! Arrah, Patsy, mind the child!
Wrap him in an overcoat, he's surely going wild!
Arrah, Patsy, mind the baby! just you mind the child awhile!
He'll kick and bite and cry all night! Arrah, Patsy, mind the child!"

"Rippin'! Oh, rippin'!" said Dick Four. "Only we shan't have any piano on the night. We must work it with the ban-

Copyright, 1897, by Rudyard Kipling.