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THE TAKIN' IN OF OLD MIS' LANE.

and shook hands with exaggerated delight.

"Well, I'll declare! It's really you, is it? At last? Well, set right down an' take off your things. Isaphene, take Mis' Hanna's things. My! ain't it warm, walkin'?

"It is so." The visitor gave her bonnet to Isaphene, dropping her black mitts into it after rolling them carefully together. "But it's always nice an' cool in your kitchen." Her eyes wandered about with a look of unabashed curiosity that took in everything. "I brought my crochet with me."

"I'm glad you did. You'll have to excuse the looks o' things. Any news?"

"None perticular." Mrs. Hanna began to crochet, holding the work close to her face. "Ain't it too bad about poor old Mis' Lane?"

"What about her?" Mrs. Bridges snapped a bean into three pieces, and looked at her visitor with a kind of pleased expectancy, as if almost any news, however dreadful, would be welcome as a relief to the monotony of existence. "Is she dead?"

"No, she ain't dead; but the poor old creature 'd better be. She's got to go to the poor-farm, after all."

There was silence in the kitchen, save for the click of the crochet-needle and the snapping of the beans. A soft wind came in the window and drummed with the lightest of touches on Mrs. Bridges's temple. It brought all the sweets of the old-fashioned flower-garden with it—the mingled breaths of mignonette, stock, sweet lavender, sweet peas, and clove pinks. The whole kitchen was filled with the fragrance. And what a big, cheerful kitchen it was! Mrs. Bridges contrasted it unconsciously with the poor-farm kitchen, and almost shivered, warm though the day was.

"What's her children about?" she asked, sharply.

"Oh, her children!" said Mrs. Hanna, with a contemptuous air. "What does her children amount to, I'd like to know!"

"Her son's got a good comf'terble house an' farm."

"Well, what it he has? He got it with his wife, didn't he? An' M'lissy wont let his poor old mother set foot inside the house. I don't say as she is a pleasant body to have about—she's cross an' sick most all the time, an' childish. But that ain't sayin' her children oughtn't to put up with her disagreeableness."

"She's got a married daughter, ain't she?"

"Yes, she's got a married daughter." Mrs. Hanna closed her lips tightly together and looked as if she might say something, if she chose, that would create a sensation.

"Ain't it too bad about poor old Mis' Lane?"