made to revolve in a small pottery bowl, as is shown in Fig. 29; p. 161, and the thread was woven on a loom of simple construction. The warp was fastened to a convenient post, and kept taut by means of a band passing round the back of the weaver, who beat down the weft with a wooden "sword" (Fig. 27, b). The loom was in fact almost certainly the same as that used right into modern times, and it is probable that a number of heddles were employed for the more elaborate designs. Cotton was of course grown in the hotter countries, and both textiles and the raw material formed perhaps the most
| A. | Wood-carver. |
| B. | Woman weaving. |
| (Mendoza MS., Oxford) | |
important article of import into the valley. Strangely enough it is the inhabitants of the cooler districts who bore the reputation of being the most skilful weavers. Some idea of the designs which were employed may be gathered from the manuscripts, but the patterns there figured form only a very small proportion of the whole. Sahagun gives a long list of names relating to particular types of mantle, unfortunately without further description except in a very few cases. One of these may be cited in illustration of their elaborate nature. "They also made use of cloaks on which were figured beautiful and rich jars mounted on three feet, and furnished with two 'wings' like those of butterflies (octli-vases). The
