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he appears in the early part of the Popol Vuh, and also, I believe, on the monuments, where his symbol, the serpent-bird, is not uncommon (e.g. Figs. 48 and 49). But he is not directly represented, for the very reason that primitive peoples (and civilized too for that matter) shrink from expressing their high gods in definite form. It is only when he becomes a tribal protector, as among the Toltec and the rulers of Mayapan, that his attributes become fixed and a definite conception of him is transferred to wood or stone. But once the definite conception is formed, the majesty of mystery is to a large extent lost, and we see in Mexico — the god of life and breath becoming Eecatl, the god of the material wind, who sweeps the path of the gods of rain. It is this relation, I believe, that Kukulkan-Gukumatz bears to the Maya god of the material wind, God K. No one who has studied the beliefs of the American tribes will think that such a conception is beyond their psychology. Francisco Hernandez states that the Yucatec chiefs, that is the more highly educated class, worshipped gods which were unknown to the populace, and we know that the religious ideas of the Peruvian rulers were on a very high plane. These higher beliefs, where they occurred, were usually veiled in symbolism to guard them from the vulgar; symbolism thrived in America, and the tendency to esoteric doctrines, evolved by professional priesthoods, adds to the difficulty of interpreting the remains of the earlier civilizations. The degeneration of Gukumatz is seen in the later portion of the Popol Vuh, where he is definitely associated with the Toltec in the additional name "Ah Toltekat," while reminiscences of his former exalted status are apparent in later Mexican beliefs concerning him. His association with the planet Venus, which is not apparent on the monuments, belongs to the later stage, and, together with his portraiture in carvings (e.g. Fig. 87; p. 367), apart from his symbolic representation as a serpent-bird,