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THE FINE ARTS AND LITERATURE.
127

There were no flowers on this one to-day, but the tombs of the patriots were elaborately decked, for it was great festival of the Cinco de Mayo.

I walked out and stood in the round-point by the colossal bronze statue of Charles IV. The Paseo de la Reforma and the causeways glittered with bayonets; the cadets were coming down from the Military School back of Chapultepec, and the garrison from the Citadel, to join in the procession. The troops were reviewed in front of the National Palace—as troops in smaller numbers seem always being reviewed there. They are mainly of Indian blood, and small in stature. The cavalry especially had a rusty look in their outfit, and did not compare with the dashing Rurales. The officers, on the other hand, are trimly uniformed and quite French in aspect. There were patriotic speeches in the Zocalo; the main thoroughfare was strung with lanterns; and our Iturbide hotel was very picturesque, with its three tiers of balconies draped in the national colors—green, white, and red. From time to time, as the procession moved, cannon were fired in the Plaza, and the bells of the cathedral turned over and over, like the wheels of machinery. I never saw a better-conducted crowd. There was no fighting, no inconvenient elbowing, no drunkenness. In the evening the lanterns were lighted, and the great square was filled with venders of fruits and knickknacks, around little bonfires of sticks, where they would bivouac for the night. Later, red lights were kindled in the towers of the cathedral, and every detail within stood out upon a lurid ground as if they were burning. One could imagine the camped venders in the square to be the ancient Aztecs resting upon their arms, in order to attack Cortez in his quarters on the morrow.