In the first figure, you will observe feathers depending from the crest and back, similar to those on the sculptures of Xochicaleo and Palanque; and, in the second, you will perceive that they are arranged in a circle of rays, so as to be seen in front, as on the statue from Oajaca. Another thing is interesting in these figures of our Northern Indians. On the robe of the first Indian is an open hand. This, too, has been the subject of great speculation by recent writers. Mr. Stephens found it constantly in the temples he explored. It is in several places on the sides of the "gladiatorial stone," at page 124 of these letters; and Mr. Schoolcraft (unquestionably the best informed of our Indian scholars,) regards it as emblematic of strength, courage and power.
The figure in the collection of the Conde del Peñasco, is a deity connected with the Indian notions of fruition or plenty. The ears of corn in the head-dress indicate this idea, while the whole, perhaps, may be an idol of Centeotl, the "goddess of the Earth and Grain" or, (as she was more confidingly called,) "she who supports us."
I had just finished sketching the idols represented in the preceding plates, when I was called to the window by the noise of a crowd below, gathered around a man lying on his back. I presumed it to be one of the numberless street-fights or quarrels with which you are daily annoyed in this Capital, and was about retiring, when the fellow suddenly raised his legs in the air—balanced himself by his shoulders—and, pitching up a pole horizontally, caught it on his feet.
This, too, was a remnant of antiquity, and having sketched the exhibitor alongside of an idol, I do not think him out of place in this letter.
The ancient Mexicans had a variety of similar sports;—such as balancing on each other's shoulders; on staves; and on wheels whirling in the air; but this exercise, with the pole or beam, was perhaps the most
