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MIDDLEMARCH.

call a nice thing, done with what we used to call brio." Mr Brooke held out towards the two girls a large coloured sketch of stony ground and trees, with a pool.

"I am no judge of these things," said Dorothea, not coldly, but with an eager deprecation of the appeal to her. "You know, uncle, I never see the beauty of those pictures which you say are so much praised. They are a language I do not understand. I suppose there is some relation between pictures and nature which I am too ignorant to feel—just as you see what a Greek sentence stands for which means nothing to me." Dorothea looked up at Mr Casaubon, who bowed his head towards her, while Mr Brooke said, smiling nonchalantly—

"Bless me, now, how different people are! But you had a bad style of teaching, you know—else this is just the thing for girls—sketching, fine art and so on. But you took to drawing plans; you don't understand morbidezza, and that kind of thing. You will come to my house, I hope, and I will show you what I did in this way," he continued, turning to young Ladislaw, who had to be recalled from his preoccupation in observing Dorothea. Ladislaw had made up his mind that she must be an unpleasant girl, since she was going to marry Casaubon, and what she said of her stupidity about pictures would have confirmed that opinion even if he had believed her. As it was, he took her words for a covert judgment, and was certain that she thought his sketch detestable. There was too much cleverness in her apology: she was laughing both at her uncle and himself. But what a voice! It was like the voice of a soul that had once lived in an Æolian harp. This must be one of Nature's inconsistencies. There could be no sort of passion in a girl who would marry Casaubon. But he turned from her, and bowed his thanks for Mr Brooke's invitation.

"We will turn over my Italian engravings together," continued that good-natured man. "I have no end of those things, that I have laid by for years. One gets rusty in this part of the country, you know. Not you, Casaubon; you stick to your studies; but my best ideas get undermost—out of use, you know. You clever young men must guard against indolence. I was too indolent, you know: else I might have been anywhere at one time."

"That is a seasonable admonition," said Mr Casaubon; "but now we will pass on to the house, lest the young ladies should be tired of standing."

When their backs were turned, young Ladislaw sat down to go on with his sketching, and as he did so his face broke into an expression of amusement which increased as he went on drawing, till at last he threw back his head and laughed aloud. Partly it was the reception of his own artistic production that tickled him; partly the notion of his grave cousin as the lover of that girl; and partly Mr Brooke's definition of the place he might have held but for the impediment of indolence. Mr Will Ladislaw's sense of the ludicrous lit up his fea-