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UNPLEASANTNESS IN THE SMALL HOURS
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been broad daylight. They had opened the door and were listening. Jellicoe's breathing grew more asthmatic; he was flinging himself into his part with the whole-heartedness of the true artist.

The creak was followed by a sound of whispering, then another creak. The enemy had advanced to the top step.… Another creak.… The vanguard had reached the second step.… In another moment——

CRASH!

And at that point the proceedings may be said to have formally opened.

A struggling mass bumped against Mike's shins as he rose from his chair; he emptied his jug on to this mass, and a yell of anguish showed that the contents had got to the right address.

Then a hand grabbed his ankle and he went down, a million sparks dancing before his eyes as a fist, flying out at a venture, caught him on the nose.

Mike had not been well-disposed towards the invaders before, but now he ran amok, hitting out right and left at random. His right missed, but his left went home hard on some portion of somebody's anatomy. A kick freed his ankle and he staggered to his feet. At the same moment a sudden increase in the general volume of noise spoke eloquently of good work that was being put in by Psmith.

Even at that crisis, Mike could not help feeling that if a row of this calibre did not draw Mr. Outwood from his bed, he must be an unusual kind of house-master.

He plunged forward again with outstretched arms, and stumbled and fell over one of the on-the-floor section of the opposing force. They seized each other earnestly and rolled across the room till Mike, contriving to secure his adversary's head, bumped it on the floor with such abandon that, with a muffled yell, the other let go, and for the second time he rose. As he did so he was conscious of a curious thudding sound that made itself heard through the other assorted noises of the battle.

All this time the fight had gone on in the blackest