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THE ARTIST CLAIMS HIS WORK
327

"Not at all, Mr. Downing. Is there anything I can——?"

"I have discovered—I have been informed—— In short, it was not Jackson, who committed the—who painted my dog."

Mike and the headmaster both looked at the speaker. Mike with a feeling of relief—for Stout Denial, unsupported by any weighty evidence, is a wearing game to play—the headmaster with astonishment.

"Not Jackson?" said the headmaster.

"No. It was a boy in the same house. Smith."

Psmith! Mike was more than surprised. He could not believe it. There is nothing which affords so clear an index to a boy's character as the type of rag which he considers humorous. Between what is a rag and what is merely a rotten trick there is a very definite line drawn. Masters, as a rule, do not realise this, but boys nearly always do. Mike could not imagine Psmith doing a rotten thing like covering a housemaster's dog with red paint, any more than he could imagine doing it himself. They had both been amused at the sight of Sammy after the operation, but anybody, except possibly the owner of the dog, would have thought it funny at first. After the first surprise, their feeling had been that it was a scuggish thing to have done and beastly rough luck on the poor brute. It was a kid's trick. As for Psmith having done it, Mike simply did not believe it.

"Smith!" said the headmaster. "What makes you think that?"

"Simply this," said Mr. Downing, with calm triumph, "that the boy himself came to me a few moments ago and confessed."

Mike was conscious of a feeling of acute depression. It did not make him in the least degree jubilant, or even thankful, to know that he himself was cleared of the charge. All he could think of was that Psmith was done for. This was bound to mean the sack. If Psmith had painted Sammy, it meant that Psmith had broken out of his house at night: and it was not likely that the rules about