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MISS MAPP

dénouement which they had so unerringly disclosed was one that had not entered her mind at all. In that moment she had seen that out of the tram there stepped three figures and no stretcher. One figure, it is true, limped, but in a manner so natural, that she scorned to draw any deductions from that halting gait. They proceeded, side by side, across the bridge over the river towards the town.

It is no use denying that the Cosmic Consciousness of the ladies of Tilling was aware of a disagreeable anticlimax to so many hopes and fears. It had, of course, hoped for the best, but it had not expected that the best would be quite as bad as this. The best, to put it frankly, would have been a bandaged arm, or something of that kind. There was still room for the more hardened optimist to hope that something of some sort had occurred, or that something of some sort had been averted, and that the whole affair was not, in the delicious new slang phrase of the Padre’s, which was spreading like wildfire through Tilling, a “wash-out.” Pistols might have been innocuously discharged for all that was known to the contrary. But it looked bad.

Miss Mapp was the first to recover from the blow, and took Diva’s podgy hand.

“Diva, darling,” she said, “I feel so deeply thankful. What a wonderful and beautiful end to all our anxiety!”

There was a subconscious regret with regard to the anxiety. The anxiety was, so to speak, a dear and beloved departed.… And Diva did not feel so sure that the end was so beautiful and wonderful. Her grandfather, Miss Mapp had reason to know, had been a butcher, and probably some inherited indifference to slaughter lurked in her tainted blood.