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MISS MAPP

At that she started to her feet, but paused again at the door. She had shrewd suspicions about her servants with regard to the telephone: she was convinced (though at present she had not been able to get any evidence on the point) that both her cook and her parlourmaid used it for their own base purposes at her expense, and that their friends habitually employed it for conversation with them. And perhaps​—​who knows?​—​her housemaid was the worst of the lot, for she affected an almost incredible stupidity with regard to the instrument, and pretended not to be able either to speak through it or to understand its cacklings. All that might very well be assumed in order to divert suspicion, so Miss Mapp paused by the door to let any of these delinquents get deep in conversation with her friend: a soft and stealthy advance towards the room called the morning-room (a small apartment opening out of the hall, and used chiefly for the bestowal of hats and cloaks and umbrellas) would then enable her to catch one of them red-mouthed, or at any rate to overhear fragments of conversation which would supply equally direct evidence.

She had got no further than the garden-door into her house when Withers, her parlourmaid, came out. Miss Mapp thereupon began to smile and hum a tune. Then the smile widened and the tune stopped.

“Yes, Withers?” she said. “Were you looking for me?”

“Yes, Miss,” said Withers. “Miss Poppit has just rung you up—”

Miss Mapp looked much surprised.

“And to think that the telephone should have rung without my hearing it,” she said. “I must be growing deaf, Withers, in my old age. What does Miss Poppit want?”