The Emperor Aurangzeb.—At Roaza I saw the tombs of Abul Hasan, the last king of Golconda, Asaf Jah, the first Nizam, and Aurangzeb, the conqueror of Hyderabad, Golconda, Daulatabad, Bidar, Raichur, and the other strongholds in the Deccan that had refused to acknowledge the supremacy of Delhi. And before I briefly describe the tomb of that great conqueror and iconoclast, I would like to point out that at Roaza may be seen most, if not all, of the Indian styles of architecture—the Pathan style, characterised by horse-shoe shaped dome and pointed arches, the later Moghul style, with bulbous dome, slender minarets, and scolloped arches, the Jain, the Dravidian, the Indo-Aryan and the Chalukyan—all these styles may be seen at Roaza or near by. And at Ellora is one of India's greatest architectural triumphs, the Kailas rock-cut temple, built by Krishna, the Rashtrakuta king of Malkhed, in the eighth century a.d.
Midway between the north and south gates of Roaza is a domed porch that leads into a large quadrangle, with a mosque on the west side; and passing through a small gateway the visitor comes to a courtyard where a white cloth covers the simple grave
