many thoughts with which he subsequently enriched his pastoral poems.
Thus having prepared himself to appear before the literary world as a candidate for fame, an opportunity soon occurred for him to obtain distinction. The Spanish Academy had been proposing subjects for prizes, and then having given one for an Eclogue, 'On the happiness of a country life,' Melendez felt himself in his element, and sent in his Essay for the prize. This succeeded in receiving the first. The second was awarded to Iriarte, who showed his mortification on account of the preference, more sensibly than was becoming, under the circumstances.
In the following year, 1781, Melendez went to Madrid, where his friend Jovellanos had already been appointed Councillor of the Military Orders, when for the first time they met. Melendez was already in the road to fame, which his friend had foretold for him; and Jovellanos, delighted with the realization of his hopes and endeavours, received him into his house, introduced him to his society, and took every opportunity of advancing his interests. It was the custom of the Academy of San Fernando to give triennial celebrations, with much solemnity, for the distribution of prizes, when eloquence, poetry and music were tasked to do honour to the fine arts. One of these celebrations was about to take place; Jovellanos was engaged to pronounce a discourse, and Melendez was invited to exercise his genius on the same subject, as the first literary characters of preceding times had already given the example. Melendez acceded, and delivered accordingly his Ode on the Glory of the Arts, which was received with rapturous admiration, and ever since seems to have been considered his masterpiece.
In the midst of these successes, Melendez received the Professorship of Humanities in his University, and in the
