As a poet, if a foreigner may be allowed to express an opinion, for which he has no native authority to adduce, Quintana may be said to be more eloquent than poetical. As Quintilian said of Lucan, both also natives of Spain, "ut dicam quod sentio, magis oratoribus quam poetis annumerandus." Quintana's eloquence consists in earnestness more than in flights of fancy. His favourite subjects were the glories of his country; and his patriotic odes, in which he endeavoured to incite his countrymen to imitate the examples of their forefathers, have been pronounced his best compositions. He has as a poet paid his tribute of admiration to beauty and the arts; but his whole soul seems to be poured forth when pathetically mourning over the dimmed glories of his country, as when at the thought "of our miserable squadrons flying before the British," he turns to the Padillias and Guzmans of former days, "when the Spaniard was master of half of Europe, and threw himself upon unknown and immense seas to give a new world to men."
As a patriotic poet Quintana has been compared to Beranger, and is said to have had the same power over the minds of his countrymen. If the parallel be correct, it may be curious to consider how characteristically these two poets appeal to the feelings of their admirers; one by songs and incidents, which though often trivial, yet speak to the heart in its most sensitive points, while the other proceeds to the same object by martial odes of commanding austerity. Besides the Ode to Balmis, the other one in this work, on the Battle of Trafalgar, has been chosen for translation, as most likely to interest the English reader, though it may not be in itself so much to be admired as some others of his poems. The reader will perhaps observe a constrained style in it, even beyond that of translation,—sentiments forced, as if the subject had not been taken voluntarily. It must not therefore be looked
