easily. Perhaps the truest definition of Poetry may be given in the words of our great poet—
"Thoughts that voluntary move
Harmonious numbers—"
for it may be observed, that the finest passages are generally the easiest for translation and for rhyme. Thus keeping the original constantly in view as the guide, the verse has been adopted as the thoughts seemed to indicate the metre most appropriate.
With the disadvantage of rhyme, in a foreign language, no apology is requisite for the ruggedness of any lines which the critic may point out. I differ totally from those writers, Coleridge and others, who affect a contempt for finished versification, and rely entirely on the brilliancy of their ideas. Whatever is worth doing at all is worth doing well, according to the writer's best capability, and the reader's ear ought surely to be as much consulted as his mind is sought to be engaged. Those who have had to write "nonsense verses" at school or college, have no right to excuse themselves from labouring to make their lines run smoothly. If, therefore, any of the following translations are not so rendered, it will occasion the writer much regret that his best efforts for that purpose have been unsuccessful.
Another complaint may be anticipated, that this work does not comprehend authors either in prose or the drama. The fault, if it be one, must be admitted, with the observation, that the task undertaken was felt sufficient of itself to require the best exertions of the writer. According to the plan laid down of giving only entire pieces, in the case of including either prose or dramatic Writers, the work would have been increased to an inordinate extent, or the plan must have been adopted of giving extracts, which would be contrary to the
