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MOODS.

for association's sake, and standing hand in hand about the room with the golden bride and bridegroom in their midst, sang "Home," Sylvia leaned against her brother with dim eyes and a heart too full to sing.

Still standing thus when the last note had soared up and died, the old man folded his hands and began to pray. It was an old-fashioned prayer, such as the girl had never heard from the Bishop's lips; ungrammatical, inelegant, and long. A quiet talk with God, manly in its straightforward confession of short-comings, childlike in its appeal for guidance, fervent in its gratitude for all good gifts, and the crowning one of loving children. As if close intercourse had made the two familiar, this human father turned to the Divine, as these sons and daughters turned to him, as free to ask, as confident of a reply, as all afflictions, blessings, cares, and crosses, were laid down before him, and the work of eighty years submitted to his hand. There were no sounds in the room but the one voice often tremulous with emotion and with age, the coo of some dreaming baby, or the low sob of some mother whose arms were empty, as the old man stood there, rugged and white atop as the granite hills, with the old wife at his side, a circle of sons and daughters girdling them round, and in all hearts the thought that as the former wedding had been made for time, this golden one at eighty must be for eternity.

While Sylvia looked and listened a sense of genuine devotion stole over her; the beauty and the worth of prayer grew clear to her through the earnest speech of that unlettered man, and for the first time she fully felt the nearness and the dearness of the Universal Father, whom she had been taught to fear, yet longed to love.

"Now, my children, you must go before the little folks