sleeps along its course and dreams of the sky and of the clustering foliage, amid which fall showers of broken sunlight, imparting specks of vivid cheerfulness, in contrast with the quiet depth of the prevailing tint. Of all this scene, the slumbering river has a dream- picture in its bosom. Which, after all, was the most real,--the picture, or the original?--the objects palpable to our grosser senses, or their apotheosis in the stream beneath? Surely the disembodied images stand in closer relation to the soul. But both the original and the reflection had here an ideal charm; and, had it been a thought more wild, I could have fancied that this river had strayed forth out of the rich scenery of my companion's inner world; only the vegetation along its banks should then have had an Oriental character.
Gentle and unobtrusive as the river is, yet the tranquil woods seem hardly satisfied to allow it passage. The trees are rooted on the very verge of the water, and dip their pendent branches into it. At one spot there is a lofty bank, on the slope of which grow some hemlocks, declining across the stream with outstretched arms, as if resolute to take the plunge. In other places the banks are almost on a level with the water; so that the quiet congregation of trees set their feet in the flood, and are Fringed with foliage down to the surface. Cardinal-flowers kindle their spiral flames and illuminate the dark nooks among the shrubbery. The pond-lily grows abundantly along the margin,--that delicious flower which, as Thoreau tells me, opens its virgin bosom to the first sunlight and perfects its being through the magic of that genial kiss. He has beheld beds of them unfolding in due succession as the sunrise stole gradually from flower to flower,--a sight not to be hoped for unless when a poet adjusts his inward eye to a proper focus with the
