white bonnet is suitable, if trimmed with red, orange, or yellow; but the yellow should be mingled with white only for evening wear.
In grouping color with color, nothing is more common than to see discordant tints placed together,—purple and green, for instance; and however rich the material or beautiful the wearer, such incongruity is exceedingly distasteful. In arranging colors, it should be borne in mind that there are two kinds of harmony,—the harmony of contrast and the harmony of analogy. When two dissimilar colors are blended agreeably, such as blue and orange, or lilac and cherry, they form a harmony of contrast. Two distant tones of one color, such as very light and very dark blue, associated, harmonize by contrast; but in this latter instance, the harmony is neither so striking nor so perfect. When similar colors, such as orange and scarlet, crimson and crimson-brown, are grouped together, they form a harmony of analogy; and if two or more shades of color, closely approximating in intensity, are associated, they harmonize by analogy.
Harmonies of contrast are more effective, but not more important, than those of analogy. The former are brilliant and decisive, the latter quiet and undemonstrative. Both hold equal positions in matters of dress, and in arranging the colors of the costume be careful to choose the proper species of harmony.
There are two rules to be observed: first, associate with colors favorable to the complexion tints that will harmonize by analogy or similarity, because contrasting colors would diminsh and injure its favorable effect; second, if the color selected for the dress is injurious to the complexion, then contrasting color must be associated with it, to neutralize its objectionable influence.
There is much more to be said on the selection of colors
