Wikisource

Page:Motion Pictures 1912 to 1939 (IA Motionpict19121939librrich0010).djvu/23

This page has been validated.

Motion Pictures, 1912-1939

  • AFTER THE ORDER—THEN WHAT? Cont'd.
    • © Willys-Overland, Inc. (Raymond J. Faller, author); 20Jul28; MP5301.
  • AFTER THE PLAY. Victor. 1916. 1 reel.
    • Credits: Producer, William Worthington; story, Robert McGowan; scenario, Ben Cohn.
    • © Universal Film Mfg. Co., Inc.; 18Feb16; LP7670.
  • AFTER THE RAIN. SEE The Painted Woman.
  • AFTER THE SHOW. 1921. 7 reels.
    • Credits: Director, William De Mille; story, Rita Weiman.
    • © Famous Players-Lasky Corp.; 30Oct21; LP17172.
  • AFTER THE SHOW. (Melody Comedy) 1929. 2 reels, sd.
    • Credits: Production, direction and story, Harry Delmar; supervision, Philip Tannura; film editor, E. Pfitzenmeier.
    • © Pathe Exchange, Inc.; 14Oct29; LP776.
  • AFTER THE SQUALL IS OVER. 1928. 2 reels.
    • Credits: Director, Albert Herman; story, E. V. Durling, W. H. Woodmansee.
    • © F. B. O. Productions, Inc. (Larry Darmour Productions, author); 17Apr28; LP25243.
  • AFTER THE STORM. © 1915.
    • © American Film Mfg. Co.; title & descr., 5Aug15; 81 prints, 4Aug15; LU6017.
  • AFTER THE STORM. 1915. 2 reels.
    • © Biograph Co.; 9Mar15; LP4661.
  • AFTER THE STORM. 1928. 6 reels.
    • Credits: Producer, Harry Cohn; director, George B. Seitz; story, Harold Shumate; continuity, Will M. Ritchey.
    • © Columbia Pictures Corp.; 19May28; LP25271.
  • AFTER THE THIN MAN. 1936. 12 reels, sd., b&w. From a story by Dashiell Hammett.
    • Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke; screenplay, Frances Goodrich, Albert Hackett; film editor, Robert J. Kern; music score, Herbert Stothart, Edward Ward.
    • © Metro-Goldwyn-Mayer Corp.; 21Dec36; LP6821.
  • AFTER THE WAR. 1919. 5 reels.
    • Credits: Director, Joseph DeGrasse; story, Kingsley Benedict; scenario, Harvey Gates.
    • © Universal Film Mfg. Co., Inc.; 2Jan19; LP13223.
  • AFTER THE WELSH RAREBIT. 1913. 1 reel.
    • Credits: William W. Hansom.
    • © Thomas A. Edison, Inc.; 31Jan13; LP359.
  • AFTER TOMORROW. 1932. 7,100 ft., sd. Based on the stage play by John Golden and Hugh S. Stange.
    • Credits: Director, Frank Borzage; screenplay, Sonya Levien; editor, Margaret Clancy.
    • © Fox Film Corp.; 12Feb32; LP2881.
  • AFTER TONIGHT. 1933. 8 reels, sd.
    • Credits: Associate producer, H. N. Swanson; story, Jane Murfin; screenplay, Jane Murfin, Albert Shelby LeVino, Worthington Miner; editor, William Hamilton; music director, Max Steiner.
    • © RKO Radio Pictures, Inc.; 2Nov33; LP4284.
  • AFTER VACATION THERE IS A JOB TO BE DONE. 1930. 1 reel.
    • © Willys-Overland, Inc. (Raymond J. Faller, author); 1Sep30; MP1903.
  • AFTER YOUR OWN HEART. 1921. 5 reels.
    • Credits: Director, George Marshall; story, William Wallace Cook; adaptation, Tom Mix; edited and titled by Ralph Spence.
    • © William Fox (Fox Film Corp., author); 7Aug21; LP16853.
  • THE AFTERMATH. © 1914.
    • © American Film Mfg. Co. (G. A. Posner, author); title & descr., 28Aug14; 102 prints, 26Aug14; LU3275.
  • AN AFTERNOON MIRACLE. 1920. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].
    • Credits: Director, David Smith; scenario, Robert A. Sanborn.
    • © The Vitagraph Co. of America; 6May20; LP15092.
  • AFTERNOON OF A FAUN. SEE L'Après-Midi d'un Faune.
  • AFTERWARDS. SEE Their Big Moment.
  • AGAINST ALL ODDS. 1924. 5 reels.
    • Credits: Director, Edmund Mortimer; story, Max Brand [pseud. of Frederick Faust]; scenario, Frederic Chapin.
    • © William Fox (Fox Film Corp., author); 27Jul24; LP20468.
  • AGAINST THE CURRENT. SEE Contra la Corriente.
  • AGAINST THE LAW. 1934. 6 reels, sd.
    • Credits: Director, Lambert Hillyer; story and screenplay, Harold Shumate; film editor, Otto Meyer.
    • © Columbia Pictures Corp.; 15Oct34; LP5051.
  • AGAINST THE RULES. (Rainbow Comedies) 1931. 2 reels, sd., b&w.
    • Credits: Producer, Fred Lalley; story and direction, Arch B. Heath; film editor, John Link; music director, Francis Groman.
    • © RKO Pathe Distributing Corp.; 31May31; LP2286.
  • AGATHA'S AUNT. SEE A Heart To Let.
  • THE AGE FOR LOVE. 1931. 9 reels. From the novel by Ernest Pascal.
    • Credits: Director, Frank Lloyd; adaptation, Ernest Pascal; dialogue, R. E. Sherwood.
    • © The Caddo Co., Inc. (Ernest Pascal, author); 17Oct31; LP2605.
  • THE AGE OF CONSENT. Presented by Radio Pictures. 1932. 7 reels, sd. From the play "Crossroads" by Martin Flavin.
    • Credits: Executive producer, David O. Selznick; director, Gregory Lacava; screenplay, Sarah Y. Mason, Francis Cockrell.
    • © RKO-Radio Pictures, Inc.; 12Aug32; LP3230.
  • THE AGE OF DESIRE. First National. 1923. 6 reels. Adapted from the story by Dixie Willson.
    • Credits: Producer and director, Frank Borzage.
    • © Arthur H. Jacobs; 20Sep23; LP19416.
  • AGE OF INDISCRETION. 1935. 8 reels, sd.
    • Credits: Producer, Phillip Goldstone; director, Edward Ludwig; original story, Lenore Coffee; screenplay, Leon Gordon, Otis Garrett; film editor, Hugh Wynn.
    • © Metro Goldwyn Mayer Corp.; 7May35; LP5531.
  • THE AGE OF INNOCENCE. 1924. 7 reels. From the novel by Edith Wharton.
    • © Warner Bros. Pictures, Inc.; 3Nov24; LP20739.
  • THE AGE OF INNOCENCE. 1934. 9 reels, sd. From the novel by Edith Wharton and the play by Margaret Ayer Barnes.
    • Credits: Producer, Pandro S. Berman; director, Philip Moeller; screenplay, Sarah Y. Mason, Victor Heerman; editor, George Hively; music director, Max Steiner.
    • © RKO Radio Pictures, Inc.; 14Sep34; LP4959.
  • AGED IN THE WOOD. © 1923.
    • © Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 16 prints, 29Sep23; MU2326.
  • THE AGELESS SEX. 1914. 1 reel.
    • © Vitagraph Co. of America (John Francis Beckwith, author); 3Sep14; LP3312.
  • AGGIE APPLEBY MAKER OF MEN. 1933. 8 reels, sd. From the play by Joseph O. Kesselring.
    • Credits: Producer, Pandro S. Berman; director, Mark Sandrich; screenplay, Humphrey Pearson, Edward Kaufman; editor, Basil Wrangell; music director, Max Steiner.
    • © RKO Radio Pictures, Inc.; 24Nov33; LP4360.
  • THE AGGRAVATIN' B'AR. (A Sports-Eye-View) 1933. 1 reel.
    • © Paramount Productions, Inc.; 27Apr33; MP3998.
  • THE AGGRAVATIN' KID. Century. 1924. 2 reels.
    • Credits: Written and directed by Edw. I. Luddy.
    • © Universal Pictures Corp.; 20Oct24; LP20681.
  • AGGRAVATIN' MAMA. SEE The Gumps in Aggravatin' Mama.
  • AGGRESSIVENESS: ESTABLISHING OUTPOSTS. 1929. 1 reel.
    • © Willys-Overland, Inc. (Raymond J. Faller, author); 4May29; MP238.
  • AGHILEEN PINNACLES. 1939. 1 reel, sd.
    • Credits: Producer, Truman Talley; described by Father Hubbard and Lowell Thomas.
    • © Twentieth Century-Fox Film Corp.; 10Nov39; MP9817.
  • THE AGILE AGE. (Grantland Rice Sport-light) © 1927.
    • Credits: Producer, John L. Hawkinson.
    • © Pathe Exchange, Inc. (John L. Hawkinson, author); title, descr. & 18 prints, 14Feb27; MU3791.
  • AGNES. SEE
    • A Million Bid.
    • A Woman's Experience.
  • THE AGONIES OF AGNES. © 1918. A burlesque of "The Perils of Pauline."
    • © Marie Dressler Motion Picture Corp. (Marie Dressler, author); title & descr., 11Jun18; 66 prints, 7May18; LU12522.
  • THE AGONY COLUMN. SEE
    • The Blind Adventure.
    • The Second Floor Mystery.
  • THE AGONY OF FEAR. 1915. 3 reels.
    • Credits: Director, Giles R. Warren.
    • © Selig Polyscope Co. (W. E. Wing, author); 18Sep15; LP6470.
  • AGRICULTURAL OPPORTUNITIES IN WESTERN CANADA. 1918. 1 reel.
    • © Essanay Film Mfg. Co.; 8Jan18; MP1117.
  • AH, GAY VIENNA. Bluebird. 1927. 1 reel.
    • Credits: Director, Harry Sweet.
    • © Universal Pictures Corp.; 12Jul27; LP24179.
Retrieved from "https://en.wikisource.org/w/index.php?title=Page:Motion_Pictures_1912_to_1939_(IA_Motionpict19121939librrich0010).djvu/23&oldid=11716691"