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fancy, and she certainly adds vivid pictures of horror and pathos to a subject which has been handled by masters of thought at different periods. In this time of horror it is amusing to note how the people's candidate, Ryland, represented as a vulgar specimen of humanity, succumbs to abject fear. The description of the deserted towns and grass-grown streets of London is impressive. The fortunes of the family, to whom the last man, Lionel Verney, belongs, are traced through their varying phases, as one by one the dire plague assails them, and Verney, the only man who recovers from the disease, becomes the leader of the remnant of the English nation. This small handful of humanity leaves England, and wanders through France on its way to" the favoured southern countries where human aid, now so scarce, was less needed. On this journey Mrs. Shelley avails herself of reminiscences of her own travelling with Shelley some few years before; and we pass the places noted in her diary; but strange grotesque figures cross the path of the few wanderers, who are decimated each day. At one moment a dying acrobat, deserted by his companions, is seen bounding in the air behind a hedge in the dusk of evening. At another, a black figure mounted on a horse, which only shows itself after dark, to cause apprehensions soon calmed by the death of the poor wanderer, who wished only for distant companionship through dread of contagion. Dijon is reached and passed, and here the old Countess of Windsor, the ex-Queen of England, dies: she had only been reconciled to her changed position by the destruction of humanity. Once, near Geneva, they come upon the sound of divine music in a church, and find a dying girl playing to her blind father to keep