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Shelley. Though Lord Lodore is more an impersonation of Mary's idea of Lord Byron than of Shelley, Cornelia Santerre, the heroine, may be partly drawn from Harriet, while Lady Santerre, her match-making mother, is taken from Eliza Westbrook. Lady Santerre, when her daughter is married, still keeps her under her influence. She is described as clever, though uneducated, with all the petty manœuvring which frequently accompanies this condition. When differences arise between Lodore and his wife the mother, instead of counselling conciliation, advises her daughter to reject her husband's advances. Under these circumstances estrangements lead to hatred, and Cornelia declares she will never quit her mother, and desires her husband to leave her in peace with her child. This Lodore will not consent to, but takes the child with him to America. The mother-in-law speaks of desertion and cruelty, and instigates law proceedings. By these proceedings all further hope is lost. We trace much of the history of Shelley and Harriet in this romance, even to the age of Lady Lodore at her separation, which is nineteen, the same age as Harriet's. Lady Lodore henceforth is regarded as an injured and deserted wife. This might apply equally to Lady Byron; but there are traits and descriptions evidently applicable to Harriet. Lady Santerre encourages her to expect submission later from her husband, but the time for that is passed. We here trace the period when Shelley also begged his wife to be reconciled to him in May, and likewise Harriet's attempt at reconciliation with Shelley, all too late, in July, when Shelley had an interview with his wife and explanations were given, which ended in Harriet apparently consenting to a separation. The