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THE WRITING ON THE WALL
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"They read th' writin' on th' wall, an' they read ut plain. D'ye mind what some of thim divils would be after doin' for all that money? They'd cut their own mither's throat—an' Kane knows ut! An' I'm thinkin' they'll be careful now—Kane has served his notice."

The idlers in the street stood as if frozen, gaping, not one of them daring to approach the body, nor even to stop the horse as it kicked up its heels and trotted down the street. Ed Doane was the third man through the door and he brought in the dead man's hat as Johnny and Idaho placed the warm body on the floor of the office. They hardly had stepped back when hurried footsteps neared the door and the sheriff, with two of his deputies, entered the office, paused instinctively at sight of the rifle in Quayle's hands, and then slowly, carefully bent over to examine the body. The sheriff reached forth a hand to turn it over, but stopped instantly and froze in his stooped posi tion, his arm outstretched.

"Kape ut off him!" roared Quayle, his eyes blazing. "What more d'ye want to see?"

"From behind?" asked Corwin, slowly straightening up, but his eyes fixed on the proprietor.

"An' where'd ye be thinkin' 'twas from?" snarled Quayle, the veins standing out anew. "No dirty pup of that pack would dare try ut from th' front, an' ye know ut! An' need ye look twice to see where th' slug av a buffalo-gun came out? Don't touch him, anny av ye! Kape yore paws off Tom Ridley! An' I'm buryin' him, mesilf."

"But, as sheriff—" began Corwin.

"Aye, but!" snapped Quayle. "We'll be after callin'