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Agatha Christie

“That’s so.”

“M. Stonor, have you ever heard the name of Duveen in connection with M. Renauld?”

“Duveen. Duveen.” He tried the name over thoughtfully, “I don’t think T have. And yet it seems familiar.”

“Do you know a lady, a friend of M. Renauld’s whose Christian name is Bella?”

Again Mr. Stonor shook his head.

“Bella Duveen? Is that the full name? It’s curious! I’m sure I know it. But for the moment I can’t remember in what connection.”

The magistrate coughed.

“You understand, M. Stonor—the case is like this. There must be no reservations. You might, perhaps, through a feeling of consideration for Madame Renauld—for whom, I gather, you have a great esteem and affection, you might—enfin!” said M. Hautet getting rather tied up in his sentence, "there must absolutely be no reservations.”

Stonor stared at him, a dawning light of comprehension in his eyes.

“I don’t quite get you,” he said gently. “Where does Mrs. Renauld come in? I’ve an immense respect and affection for that lady; she’s a very wonderful and unusual type, but I don’t quite see how my reservations, or otherwise, could affect her.”

“Not if this Bella Duveen should prove to have been something more than a friend to her husband?”

“Ah!” said Stonor. “I get you now. But I’ll bet my bottom dollar that you’re wrong. The old man never so much as looked at a petticoat. He just adored his own wife. They were the most devoted couple I know.”

M. Hautet shook his head gently.

“M. Stonor, we hold absclute proof—a love letter written by this Bella to M. Renauld, accusing him of having tired of her. Moreover, we have further proof that, at the time of his death, he was carrying on an intrigue with a Frenchwoman, a Madame Daubreuil, who rents the adjoining villa.

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