same, but their charm and beauty lies in the ever changing light and shade, in the mists which wreath around them, in the huge cornices and pendent icicles, in all the varying circumstance of weather, season, and hour. Moreover, it is not merely that the actual vision impressed on the retina reflects every mood and change of summer storm and sunshine; but the observer himself is hardly less inconstant. On one day he is dominated by the tingling horror of the precipice, the gaunt bareness of the stupendous cliffs, or the deadly rush of the rocks when some huge block breaks from its moorings and hurtles through the air—a fit emblem of resistless wrath. On yet another day he notices none of these things; lulled by the delicate tints of opal and azure, he revels in the vaporous softness of the Italian valleys, in the graceful sweep of the wind-drifted snow, or even in the tiny flowers wedged in the joints of the granite. While the mountain may sometimes impress its mood on the spectator, as often the spectator only sees that which harmonises with his own. A man may doubtless be so constructed that
"A primrose by the river's brim
A yellow primrose is to him"
and in no conceivable circumstance or time could it ever be aught else; but others more happily constituted, who can rejoice in the beauty of the external world, are scarcely likely to feel the
