in gay uniforms. The scene represents a gala court affair: the announcement is made that a monument is to be built in honour of world capitalism. There is much rejoicing, and a wild orgy of music and dance ensues. Then from the depths there emerge the enslaved and toiling masses, their chains ringing mournfully to the music above. They are responding to the command to build the monument for their masters: some are seen carrying hammers and anvils; others stagger under the weight of huge blocks of stone and loads of brick. The workers are toiling in their world of misery and darkness, lashed to greater effort by the whip of the slave drivers, while above there is light and joy, and the masters are feasting. The completion of the monument is signalled by large yellow disks hoisted on high amidst the rejoicing of the world on top.
At this moment a little red flag is seen waving below, and a small figure is haranguing the people. Angry fists are raised and then flag and figure disappear, only to reappear again in different parts of the underworld. Again the red flag waves, now here, now there. The people slowly gain confidence and presently become threatening. Indignation and anger grow—the
