suppress it with an iron hand. How can they be blamed? But try as I might I could not silence my doubts. I groped for some moral support, for a dependable word, for someone to shed light on the disturbing questions.
It occurred to me to write to Maxim Gorki. He might help. I called his attention to his own dismay and disappointment while visiting America. He had come believing in her democracy and liberalism, and found bigotry and lack of hospitality instead. I felt sure Gorki would understand the struggle going on within me, though the cause was not the same. Would he see me? Two days later I received a short note asking me to call.
I had admired Gorki for many years. He was the living affirmation of my belief that the creative artist cannot be suppressed. Gorki, the child of the people, the pariah, had by his genius become one of the world's greatest, one who by his pen and deep human sympathy made the social outcast our kin. For years I toured America interpreting Gorki's genius to the American people, elucidating the greatness, beauty, and humanity of the man and his works. Now I was to see him and through him get a glimpse into the complex soul of Russia.
