scorn and anguish were real it would strike inward—instead of outward toward the audience—and the audience would not know. If the red-haired woman's scorn and anguish were real, it would not seem real and would be very uninteresting. And that very likely is the reason why the scorn and anguish of other red-haired women—and of black-haired, and brown-haired, and yellow-haired, and gray-haired, and pale-haired women, who are not working on the stage—is so uninteresting and ineffectual. It is real, and they can not act it out, and so it doesn't seem real—and you don't have to pay money to see it done.
To make it seem real they must need go at it cold-bloodedly, and work it up, and charge you a round price for it.
Mary Magdalene isn't here to do this, but Mrs. Fiske takes her place and does it for her.
