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MY JAPANESE WIFE.

of trees and strangely grotesque animals, birds and fishes. She is going to write to her mother, to ask her to send up a sash of turquoise-blue silk which was left behind when she was married, and which she has found out I admired.

I watch her as she writes, her head bent over her paper, and the lower half of her face in shadow—such a scrap of daintily dressed femininity.

I wonder what else she is saying—women’s inter-confidences are always so distressing and perplexing to a man—for she has already covered one long strip with delicately minute writing, which at a little distance looks like the ground-plan of an intricate maze; and surely even a turquoise silk obi cannot call for such a lengthy description, except, perhaps, in a Parisian fashion-journal.

She has finished by the time I have cut the pages of one of the novels Lou has in-