JOSEPH ROULETABILLE APPEARS
disturbing elements to a conclusion. The day following the incident of 'the inexplicable gallery,' I felt myself losing control of it. I had allowed myself to be diverted by fallacious evidence; but I recovered and again took hold of the right end. I satisfied myself that the murderer could not have left the gallery, either naturally or supernaturally. I narrowed the field of consideration to that small circle, so to speak. The murderer could not be outside that circle. Now who was in it? There was, first, the murderer. Then there were Daddy Jacques, Monsieur Stangerson, Frédéric Larsan, and myself. Five persons in all, counting in the murderer. And yet, in the gallery, there were but four. Now since it had been demonstrated to me that the fifth could not have escaped, it was evident that one of the four present in the gallery must be a double—he must be himself and the murderer also. Why had I not seen this before? Simply because the phenomenon of the double personality had not occurred before in this inquiry.
"Now who of the four persons in the gallery was both that person and the assassin? I went over in my mind what I had seen. I had seen at one and the same time, Monsieur Stangerson and the murderer, Daddy Jacques and the murderer, myself and the murderer; so that the murderer, then, could not be either Monsieur Stangerson, Daddy Jacques, or myself. Had I seen Frédéric Larsan and the murderer at the same time?—No!—Two seconds had passed, during which I lost sight of the murderer; for, as I have noted in my papers, he arrived two seconds before Mon-
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