nate so theatrical a mind. It interested him enormously, and he threw himself into it, less as a magistrate eager to know the truth, than as an amateur of dramatic embroglios, tending wholly to mystery and intrigue, who dreads nothing so much as the explanatory final act.
So that, at the moment of meeting him, I heard Monsieur de Marquet say to the Registrar with a sigh:—
"I hope, my dear Monsieur Maleine, this builder with his pickaxe will not destroy so fine a mystery."
"Have no fear," replied Monsieur Maleine, "his pickaxe may demolish the pavilion, perhaps, but it will leave our case intact. I have sounded the walls and examined the ceiling and floor and I know all about it. I am not to be deceived."
Having thus reassured his chief, Monsieur Maleine, with a discreet movement of the head, drew Monsieur de Marquet's attention to us. The face of that gentleman clouded, and, as he saw Rouletabille approaching, hat in hand, he sprang into one of the empty carriages saying, half aloud to his Registrar, as he did so, "Above all, no journalists!"
Monsieur Maleine replied in the same tone, "I understand!" and then tried to prevent Rouletabille from entering the same compartment with the examining magistrate.
"Excuse me, gentlemen,—this compartment is reserved."
"I am a journalist, Monsieur, engaged on the 'Epoque,'" said my young friend with a great
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