Incas, takes for granted the previous existence of mankind, and, in some of its forms, the Inca period is preceded by the deluge.
Of the Peruvian myth concerning the origin of things, the following account is given by a Spanish priest, Christoval de Moluna, in a report to the Bishop of Cuzco in 1570.[1] The story was collected from the lips of ancient Peruvians and old native priests, who again drew their information in part from the painted records reserved in the temple of the sun near Cuzco. The legend begins with a deluge myth; a cataclysm ended a period of human existence. All mankind perished except a man and woman, who floated in a box to a distance of several hundred miles from Cuzco. There the creator commanded them to settle, and there, like Pund-jel in Australia, he made clay images of men of all races, attired in their national dress, and then animated them. They were all fashioned and painted as correct models, and were provided with their national songs and with seed-corn. They then were put into the earth, and emerged all over the world at the proper places, some (as in Africa and Greece) coming out of fountains, some out of trees, some out of caves. For this reason they made huacas (worshipful objects or fetishes) of the trees, caves, and fountains. Some of the earliest men were changed into stones, others into falcons, condors, and other creatures which we know were totems in Peru. Probably this myth of metamorphosis was invented to account for the reverence paid to totems or pacarissas,
- ↑ Rites and Laws of the Yncas, p. 4, Hakluyt Society, 1873.
