sophies, of periods of national growth and advance, and of national decadence and decay, have been at work on the mythology of India. Here we have myths that were perhaps originally popular tales, and are probably old; here, again, we have later legends that certainly were conceived in the narrow minds of a pedantic and ceremonious priesthood. It is not possible, of course, to analyse in this place all the myths of all the periods; we must be content to point out some which seem to be typical examples of the working of the human intellect in its earlier or its later childhood, in it distant hours of barbaric beginnings, or in the senility of its sacerdotage.
The documents which contain Indian mythology may be divided, broadly speaking, into four classes. First, and most ancient in date of composition, are the collections of hymns known as the Vedas. Next, and (as far as date of collection goes) far less ancient, are the expository texts called the Brahmanas. Later still, come other manuals of devotion and of sacred learning, called Sutras and Upanishads; and last are the epic poems (Itihasa), and the books of legends called Puranas. We are chiefly concerned here with the Vedas and Brahmanas. A gulf of time, a period of social and literary change, separates the Brahmanas from the Vedas. But the epics and Puranas differ perhaps even still more from the Brahmanas, on account of vast religious changes which brought new gods into the Indian Olympus, or elevated to the highest place old gods formerly of low degree. From the composition of the first Vedic hymn to the com-