in this mythological alchemy, this "transmutation" of the facts of legend into so many presumed statements about any given natural force or phenomenon.
From all these general theories and vague hypotheses it is time to descend to facts, and to the various local or tribal cults and myths of Artemis. Her place in the artistic poetry, which wrought on and purified those tales, will then be considered. This process is the converse of the method, for example, of M. Decharme. He first accepts the "queen and huntress, chaste and fair," of poetry, and then explains her local myths and rituals as accidental corruptions of and foreign additions to that ideal.
The Attic and Arcadian legends of Artemis are confessedly among the oldest.[1] Both in Arcadia and Attica, the goddess is strangely connected with that animal worship, and those tales of bestial metamorphosis, which are the characteristic elements of myths and beliefs among the most backward races.
The Arcadian myth of Artemis and the she-bear is variously narrated. According to Pausanias, Lycaon, king of Arcadia, had a daughter, Callisto, who was loved by Zeus. Hera, in jealous wrath, changed Callisto into a she-bear; and Artemis, to please Hera, shot the beast. At this time the she-bear was pregnant with a child by Zeus, who sent Hermes to save the babe, Areas, just as Dionysus was saved at the burning of Semele, and Asclepius at the death of his mother, whom Apollo slew. Zeus then transformed Callisto into a constellation, the bear.[2] No more
