with child, and leaning against an olive tree which is yet in that place, brought forth these two gods, and that by the commandment of the gods the wood was made sacred."[1] This was a mere adaptation of the Delian legend, the olive (in Athens sacred to Athene) taking the place of the Delian palm-tree. The real Artemis of Ephesus, "the image that fell from heaven," was an Oriental survival. Nothing can be less Greek in taste than her many-breasted idol, which may be compared with the many-breasted goddess of the beer-producing maguey plant in Mexico.[2]
The wilder elements in the local rites and myths of Diana are little if at all concerned with the goddess in her Olympian aspect as the daughter of Leto and sister of Apollo. It is from this lofty rank that she descends in the national epic to combat on the Ilian plain among warring gods and men. Claus has attempted, from a comparison of the epithets applied to Artemis, to show that the poets of the Iliad and the Odyssey take different views of her character. In the Iliad she is a goddess of tumult and passion; in the Odyssey, a holy maiden with the "gentle darts" that deal sudden and painless death. But in both poems she is a huntress, and the death-dealing shafts are hers both in Iliad and Odyssey. Perhaps the apparent difference is due to nothing but the necessity for allotting her a part in that battle of the Olympians which rages in the Iliad. Thus Hera in the Iliad addresses her thus:[3] "How
