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PAWNEE ELEUSINIA.
271

which record the sacred beliefs of the race.[1] He adds that many of these songs are noted down by a method probably peculiar to the Indians, on birch-bark or small flat pieces of wood, the ideas being conveyed by emblematical figures. When it is remembered that the luck of the tribe depends on these songs and rites, it will be admitted that they are probably of considerable antiquity, and that the Indians probably did not borrow the story about the origin of their ritual from some European conversant with the Homeric hymn to Demeter.

Here follows the myth, as borrowed (without acknowledgment) by Schoolcraft from De Smet:[2]

"The Manitos (powers or spirits) were jealous of Manabozho and Chibiabos. Manabozho warned his brother never to be alone, but one day he ventured on the frozen lake and was drowned by the Manitos. Manabozho wailed along the shores. He waged a war against all the Manitos. . . . He called on the dead body of his brother. He put the whole country in dread by his lamentations. He then besmeared his face with black, and sat down six years to lament, uttering the name of Chibiabos. The Manitos consulted what to do to assuage his melancholy and his wrath. The oldest and wisest of them, who had had no hand in the death of Chibiabos, offered to undertake the task of reconciliation. They built a sacred lodge close to that of Manabozho, and prepared a sumptuous feast. They then assembled in order, one

  1. Tanner's Narrative, New York, 1830, pp. 192, 193.
  2. Schoolcraft, i, 318.