origin or sanction of some human law or custom than the cause of any natural phenomenon that they expound.
The kind of traditional fictions here described as heroic and romantic may be divided into three main categories.
(1.) First we have the popular tales of the lower and more backward races, with whom may be reckoned, for our present purpose, the more remote and obscure peoples of America. We find popular tales among the Bushmen, Kaffirs, Zulus, Samoans, Maoris, Hurons, Samoyeds, Eskimo, Crees, Blackfeet, and other so-called savage races. We also find tales practically identical in character, and often in plot and incident, among such a people as the Huarochiris, a civilised race brought under the Inca Empire some three generations before the Spanish conquest. The characteristics of these tales are the presence of talking and magically helpful beasts; the human powers and personal existence of even inanimate objects; the miraculous accomplishments of the actors; the introduction of beings of another race, usually hostile; the power of going to and returning from Hades—always described in much the same imaginative manner. The persons are sometimes anonymous, sometimes are named while the name is not celebrated; more frequently the tribal culture-hero, demiurge, or god is the leading character in these stories. In accordance with the habits of savage fancy, the chief person is often a beast, such as Ananzi, the West African spider; Cagn, the Bushman grasshopper; or Michabo, the
