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THE ORDEAL
159

He seemed to have no body and even what he had thought was his innermost self was dead. It was something deeper that was he, something that he had never felt before. Then the forces gathered for one final attack. The way that the other novice had taken was open to him. He drew his breath quickly and waited and then the shock came. The eternity and infinity of all good seemed crushed, washed away in an eternity and infinity of evil. He seemed carried helplessly along, tossed this way and that—as in a black limitless ocean where there is no light and the waves grow larger and larger and the sky darker and darker. The waves were dashing him toward a chasm, a maelstrom everlastingly evil, and blindly, unseeingly, desperately he looked at the candle, looked at the flame which seemed like the one black star in the sky of despair. Then suddenly he became aware of a new presence. It seemed to come from the left, seemed consummated and expressed in warm, red tracery somewhere. Then he knew. It was the stained window of St. Francis Xavier. He gripped at it spiritually, clung to it and with aching heart called silently for God.

"Tantum ergo Sacramentum
Veneremur cernui."

The words of the hymn gathered strength like a triumphant paean of glory, the incense filled his brain, his very soul, a gate clanged somewhere and the candle on the altar went out.

"Ego vos ahsolvo a peccatis tuis in nomine patris, flii, spirtius sancti. Amen."

The file of novices started toward the altar. The stained lights from the windows mingled with the candle glow and the eucharist in its golden halo seemed to the man very mystical and sweet. It was very calm. The subdeacon held the book for him. Fie placed his right hand upon it.

"In the name of the Father and the Son and of the Holy Ghost—"

—F. Scott Fitzgerald.