the wave of reform that was so strongly characteristic of his times.
The characters are, as usual, few, and they have that special trait of isolation which is the birthmark of Hawthorne's creations. Zenobia, Priscilla, and Hollingsworth are the trio, who, each in an environment of solitude, make the essence of the plot by their mutual relations. Zenobia is set apart by her secret history and physical nature, and Priscilla by her magnetic powers and enslavement to the mesmerist; Hollingsworth is absorbed in his mission. It is unlikely that Hawthorne intended any of these as a portrait of any real person, though as the seamstress of Brook Farm gave the external figure of Priscilla, it may well be that certain suggestions of temperament were found for the other two characters among his impressions of persons whom he met. Neither Zenobia nor Priscilla, notwithstanding the latter's name, are essentially New England characters; in each of them there is something alien to the soil, and they are represented as coming from a different stock. Hollingsworth, on the other hand, is meant as a native type. The unfolding of the story, and the treatment of the characters, are not managed with any great skill. Hawthorne harks back to his old habits, and does so in a feebler way than would have been anticipated. He interjects the short story of The Veiled Lady, for example, in the middle of the narrative, as he had placed the tale of Alice in "The House of the
