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CENTEOTL'S FESTIVAL.
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Mexican order of ideas, though the flesh of the victims was destined to feed the gods to whom they were sacrificed, their souls became the blessed and favoured slaves or servants of these same gods.

Centeotl, or Toci, the goddess of the harvest, had her human sacrifices also, but in this case a woman figured as protagonist. She, too, was dressed like the goddess, and entrusted to the care of four midwives, priestesses of Centeotl, who were commissioned to pet and amuse her. A fortnight before the festival, they celebrated "the arm dance" before her, in which the dancers, without moving their feet, perpetually raised and lowered their arms, as a symbol of the vegetation fixed at its roots, but moving freely above. Then she had to take part in a mock combat, after which she received the title of "image of the mother of the gods." The day before her execution, she went to pay what was called her "farewell to the market," in which she was conducted to the market of Mexico, sowing maize all along the street as she went, and reverenced by the people as Toci, "our grandmother." But the following midnight she was carried to the top of a