style used by the blacks when prepared for hunting. The blacks were so absorbed in what they were doing that I sat some time unobserved. When they did see me, they seemed much annoyed. One of our own blacks came to me and said that he did not mind, because I was 'Gimbail,'[1] but the up-country blacks would not go on with the ceremony while I remained. I then rode away, but in a few days after he told me that 
FIG. 34.—ROUGH FIGURE USED AT THE PORT STEPHENS CEREMONIES. I could see the great finishing ceremony. I rode to the camp at the foot of the hill and saw a large fire burning in the centre of the large cleared space. The booming noise from the top of the hill was also going on, and grew louder and louder, and at last was succeeded by great shouts and yells. Then about two hundred painted blackfellows appeared over the brow of the hill. They were all armed with boomerangs, shields, and spears, which they clashed together in time as they ran. They were in two divisions, and kept crossing and recrossing
the path, interlacing as they met at a run, while descending the hill, and yelling at the top of their voices. The effect was very startling, especially to my horse, who took fright. Arriving at the foot of the hill, they threw their weapons on the ground, and springing on to the clear space, danced on the fire with their bare feet till it was extinguished, all the time bearing up amongst them the youths who were being made Bumbat.
- ↑ Gimbai is used here as "friend," but it evidently means more than that, because the tree-creeper is at Port Stephens one of the sex totems, and is called their gimbai, that is, "friend."
