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NEGRO POETS AND THEIR POEMS

Hill’s race knows no other wings. On the wings of oppression the Negro poet and the Negro people are rising toward the summits of Parnassus, Pisgah, and other peaks. This they know, too, and of it they are justly proud.

In his Foreword Mr. Hill thus states the case of his people, and, by implication, of himself: “Nothing in the life of the nation has seemed to me more significant than that dark civilization which the colored man has built up in the midst of a white society organized against it. The Negro has been driven under all the burdens of oppression, both material and spiritual, to the brink of desperation, but he has always been saved by his philosophy of life. He has advanced against all opposition by a certain elevation of his spirit. He has been made strong in tribulation. He has constrained oppression to give him wings.”

The significant thing about these wings, in a critical view, is that they fulfill the proper function of wings—bear aloft and sustain in flight through the azure depths. Mr. Hill’s wings do bear aloft and sustain: if not always, nor even ever, into the very empyrean of poetry yet invariably, seventy times, into the ampler air. Like all his race, he has suffered much; and, like all his race still, he has gathered wisdom from sorrow. As a true poet should have, he has philosophy, also vision and imagination—vision for himself and his people, imagination that sees facts in terms of beauty and presents truths with vital