glass of port, which were placed on the right hand and on the left hand of Mr. Hilbery, and simultaneously Mrs. Hilbery and Katharine left the room. All the years they had lived together they had never seen Mr. Hilbery smoke his cigar or drink his port, and they would have felt it unseemly if, by chance, they had surprised him as he sat there. These short, but clearly marked, periods of separation between the sexes were always used for an intimate postscript to what had been said at dinner, the sense of being women together coming out most strongly when the male sex was, as if by some religious rite, secluded from the female. Katharine knew by heart the sort of mood that possessed her as she walked upstairs to the drawing-room, her mother’s arm in hers; and she could anticipate the pleasure with which, when she had turned on the lights, they both regarded the drawing-room, fresh swept and set in order for the last section of the day, with the red parrots swinging on the chintz curtains, and the arm-chairs warming in the blaze. Mrs. Hilbery stood over the fire, with one foot on the fender, and her skirts slightly raised.
“Oh, Katharine,” she exclaimed, “how you’ve made me think of Mamma and the old days in Russell Square! I can see the chandeliers, and the green silk of the piano, and Mamma sitting in her cashmere shawl by the window, singing till the little ragamuffin boys outside stopped to listen. Papa sent me in with a bunch of violets while he waited round the corner. It must have been a summer evening. That was before things were hopeless….”
As she spoke an expression of regret, which must have come frequently to cause the lines which now grew deep round the lips and eyes, settled on her face. The poet’s marriage had not been a happy one. He had left his wife, and after some years of a rather reckless existence, she had died, before her time. This disaster had led to great irregularities of education, and, indeed, Mrs. Hilbery
