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NIGHT AND DAY
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courage to stop her. But immediately the whole scene in the Strand wore that curious look of order and purpose which is imparted to the most heterogeneous things when music sounds; and so pleasant was this impression that he was very glad that he had not stopped her, after all. It grew slowly fainter, but lasted until he stood outside the barrister’s chambers.

When his interview with the barrister was over, it was too late to go back to the office. His sight of Katharine had put him queerly out of tune for a domestic evening. Where should he go? To walk through the streets of London until he came to Katharine’s house, to look up at the windows and fancy her within, seemed to him possible for a moment; and then he rejected the plan almost with a blush as, with a curious division of consciousness, one plucks a flower sentimentally and throws it away, with a blush, when it is actually picked. No, he would go and see Mary Datchet. By this time she would be back from her work.

To see Ralph appear unexpectedly in her room threw Mary for a second off her balance. She had been cleaning knives in her little scullery, and when she had let him in she went back again, and turned on the cold-water tap to its fullest volume, and then turned it off again. “Now,” she thought to herself, as she screwed it tight, “I'm not going to let these silly ideas come into my head . . .Don’t you think Mr. Asquith deserves to be hanged?” she called back into the sitting-room, and when she joined him, drying her hands, she began to tell him about the latest evasion on the part of the Government with respect to the Women’s Suffrage Bill. Ralph did not want to talk about politics, but he could not help respecting Mary for taking such an interest in public questions. He looked at her as she leant forward, poking the fire, and expressing herself very clearly in phrases which bore distantly the taint of the platform, and he thought, “How absurd Mary would