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NIGHT AND DAY

they engaged, or had Katharine just refused him? She was completely baffled.

Katharine now reappeared from her veil of smoke, knocked the ash from her cigarette into the fireplace, and looked, with an odd expression of solicitude, at the irritable man.

“Perhaps, Mary,” she said tentatively, “you wouldn't mind giving us some tea? We did try to get some, but the shop was so crowded, and in the next one there was a band playing; and most of the pictures, at any rate, were very dull, whatever you may say, William.” She spoke with a kind of guarded gentleness.

Mary, accordingly, retired to make preparations in the pantry.

“What in the world are they after?” she asked of her own reflection in the little looking-glass which hung there. She was not left to doubt much longer, for, on coming back into the sitting-room with the tea-things, Katharine informed her, apparently having been instructed so to do by William, of their engagement.

“William,” she said, “thinks that perhaps you don’t know. We are going to be married.”

Mary found herself shaking William’s hand, and addressing her congratulations to him, as if Katharine were inaccessible; she had, indeed, taken hold of the tea-kettle.

“Let me see,” Katharine said, “one puts hot water into the cups first, doesn’t one? You have some dodge of your own, haven’t you, William, about making tea?”

Mary was half inclined to suspect that this was said in order to conceal nervousness, but if so, the concealment was unusually perfect. Talk of marriage was dismissed. Katharine might have been seated in her own drawing-room, controlling a situation which presented no sort of difficulty to her trained mind. Rather to her surprise, Mary found herself making conversation with William about old Italian pictures, while Katharine poured out tea,