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192
NIGHT AND DAY

Since the day when he had heard from Katharine’s lips of her engagement, he had refrained from investing his dream of her with the details of real life. But the light of the late afternoon glowed green behind the straight trees, and became a symbol of her. The light seemed to expand his heart. She brooded over the grey fields, and was with him now in the railway carriage, thoughtful, silent, and infinitely tender; but the vision pressed too close, and must be dismissed, for the train was slackening. Its abrupt jerks shook him wide awake, and he saw Mary Datchet, a sturdy russet figure, with a dash of scarlet about it, as the carriage slid down the platform. A tall youth who accompanied her shook him by the hand, took his bag, and led the way without uttering one articulate word.

Never are voices so beautiful as on a winter’s evening, when dusk almost hides the body, and they seem to issue from nothingness with a note of intimacy seldom heard by day. Such an edge was there in Mary’s voice when she greeted him. About her seemed to hang the mist of the winter hedges, and the clear red of the bramble leaves. He felt himself at once stepping on to the firm ground of an entirely different world, but he did not allow himself to yield to the pleasure of it directly. They gave him his choice of driving with Edward or of walking home across the fields with Mary—not a shorter way, they explained, but Mary thought it a nicer way. He decided to walk with her, being conscious, indeed, that he got comfort from her presence. What could be the cause of her cheerfulness, he wondered, half ironically, and half enviously, as the pony-cart started briskly away, and the dusk swam between their eyes and the tall form of Edward, standing up to drive, with the reins in one hand and the whip in the other. People from the village, who had been to the market town, were climbing into their gigs, or setting off home down the road together in little parties. Many salutations were addressed to Mary, who shouted