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NIGHT AND DAY

almost as soon as she arrived, two days before, and seemed now so intolerable that she had left the family party, and come out here to consider it by herself. It was not she who thought herself unhappy, but her cousins, who thought it for her. The house was full of cousins, much of her age, or even younger, and among them they had some terribly bright eyes. They seemed always on the search for something between her and Rodney, which they expected to find, and yet did not find; and when they searched, Katharine became aware of wanting what she had not been conscious of wanting in London, alone with William and her parents. Or, if she did not want it, she missed it. And this state of mind depressed her, because she had been accustomed always to give complete satisfaction, and her self-love was now a little ruffled. She would have liked to break through the reserve habitual to her in order to justify her engagement to some one whose opinion she valued. No one had spoken a word of criticism, but they left her alone with William; not that that would have mattered, if they had not left her alone so politely; and, perhaps, that would not have mattered if they had not seemed so queerly silent, almost respectful, in her presence, which gave way to criticism, she felt, out of it.

Looking now and then at the sky, she went through the list of her cousins’ names: Eleanor, Humphrey, Marmaduke, Silvia, Henry, Cassandra, Gilbert, and Mostyn—Henry, the cousin who taught the young ladies of Bungay to play upon the violin, was the only one in whom she could confide, and as she walked up and down beneath the hoops of the pergola, she did begin a little speech to him, which ran something like this:

“To begin with, I’m very fond of William. You can’t deny that. I know him better than any one, almost. But why I’m marrying him is, partly, I admit—I’m being quite honest with you, and you mustn’t tell any one—