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236
NIGHT AND DAY

her, and in place of it she became conscious of a steady tide of well-being which harmonized very aptly with the tramp of their feet upon the dry road and the support of his arm. The comfort was the more glowing in that it seemed to be the reward of her determination to behave to him simply and without attempting to be other than she was. Instead of making out an interest in the poets, she avoided them instinctively, and dwelt rather insistently upon the practical nature of her gifts.

In a practical way she asked for particulars of his cottage, which hardly existed in his mind, and corrected his vagueness.

“You must see that there’s water,” she insisted, with an exaggeration of interest. She avoided asking him what he meant to do in this cottage, and, at last, when all the practical details had been thrashed out as much as possible, he rewarded her by a more intimate statement.

“One of the rooms,” he said, “must be my study, for, you see, Mary, I’m going to write a book.” Here he withdrew his arm from hers, lit his pipe, and they tramped on in a sagacious kind of comradeship, the most complete they had attained in all their friendship.

“And what’s your book to be about?” she said, as boldly as if she had never come to grief with Ralph in talking about books. He told her unhesitatingly that he meant to write the history of the English village from Saxon days to the present time. Some such plan had lain as a seed in his mind for many years; and now that he had decided, in a flash, to give up his profession, the seed grew in the space of twenty minutes both tall and lusty. He was surprised himself at the positive way in which he spoke. It was the same with the question of his cottage. That had come into existence, too, in an unromantic shape—a square white house standing just off the high road, no doubt, with a neighbour who kept a pig and a dozen squalling children; for these plans were shorn of all