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NIGHT AND DAY

tion she stood aghast for a second. With a desperate sense that this horror must, at all costs, be stopped, she then put her arms about him, drew his head for a moment upon her shoulder, and led him on, murmuring words of consolation, until he heaved a great sigh. They held fast to each other; her tears, too, ran down her cheeks; and were both quite silent. Noticing the difficulty with which he walked, and feeling the same extreme lassitude in her own limbs, she proposed that they should rest for a moment where the bracken was brown and shrivelled beneath an oak-tree. He assented. Once more he gave a great sigh, and wiped his eyes with a childlike unconsciousness, and began to speak without a trace of his previous anger. The idea came to her that they were like the children in the fairy tale who were lost in a wood, and with this in her mind she noticed the scattering of dead leaves all round them which had been blown by the wind into heaps, a foot or two deep, here and there.

“When did you begin to feel this, Katharine?” he said; “for it isn’t true to say that you’ve always felt it. I admit I was unreasonable the first night when you found that your clothes had been left behind. Still, where’s the fault in that? I could promise you never to interfere with your clothes again. I admit I was cross when I found you upstairs with Henry. Perhaps I showed it too openly. But that’s not unreasonable either when one’s engaged. Ask your mother. And now this terrible thing—” He broke off, unable for the moment to proceed any further. “This decision you say you’ve come to—have you discussed it with any one? Your mother, for example, or Henry?”

“No, no, of course not,” she said, stirring the leaves with her hand. “But you don’t understand me, William———”

“Help me to understand you———”

“You don’t understand, I mean, my real feelings;