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NIGHT AND DAY
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rolled down her cheeks. But tears, at least, she could control, and would this instant, and then, turning, she would face Katharine, and retrieve what could be retrieved of the collapse of her courage.

She turned. Katharine had not moved; she was leaning a little forward in her chair and looking into the fire. Something in the attitude reminded Mary of Ralph. So he would sit, leaning forward, looking rather fixedly in front of him, while his mind went far away, exploring, speculating, until he broke off with his, “Well, Mary?”—and the silence, that had been so full of romance to her, gave way to the most delightful talk that she had ever known.

Something unfamiliar in the pose of the silent figure, something still, solemn, significant about it, made her hold her breath. She paused. Her thoughts were without bitterness. She was surprised by her own quiet and confidence. She came back silently, and sat once more by Katharine’s side. Mary had no wish to speak. In the silence she seemed to have lost her isolation; she was at once the sufferer and the pitiful spectator of suffering; she was happier than she had ever been; she was more bereft; she was rejected, and she was immensely beloved. Attempt to express these sensations was vain, and, moreover, she could not help believing that, without any words on her side, they were shared. Thus for some time longer they sat silent, side by side, while Mary fingered the fur on the skirt of the old dress.