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NIGHT AND DAY

things; and could, she mused, as he talked, fancy the evenings of married life spent thus, over the fire; spent thus, or with a book, perhaps, for then she would have time to read her books, and to grasp firmly with every muscle of her unused mind what she longed to know. The atmosphere was very free. Suddenly William broke off. She looked up apprehensively, brushing aside these thoughts with annoyance.

“Where should I address a letter to Cassandra?” he asked her. It was obvious again that William had some meaning or other to-night, or was in some mood. “We’ve struck up a friendship,” he added.

“She’s at home, I think,” Katharine replied.

“They keep her too much at home,” said William. “Why don’t you ask her to stay with you, and let her hear a little good music? I'll just finish what I was saying, if you don’t mind, because I’m particularly anxious that she should hear to-morrow.”

Katharine sank back in her chair, and Rodney took the paper on his knees, and went on with his sentence. “Style, you know, is what we tend to neglect—”; but he was far more conscious of Katharine’s eye upon him than of what he was saying about style. He knew that she was looking at him, but whether with irritation or indifference he could not guess.

In truth, she had fallen sufficiently into his trap to feel uncomfortably roused and disturbed and unable to proceed on the lines laid down for herself. This indifferent, if not hostile, attitude on William’s part made it impossible to break off without animosity, largely and completely. Infinitely preferable was Mary’s state, she thought, where there was a simple thing to do and one did it. In fact, she could not help supposing that some littleness of nature had a part in all the refinements, reserves, and subtleties of feeling for which her friends and family were so distinguished. For example, although she liked